|
Not for Joe, is a simple Much Wenlock dance that is easy for both dancers and musicians
to learn. It can be a good dance to come on and stay on with. I learnt it from Janice and
Tony Jones in 1985, when we had just started the team Buchan Morris, north of Aberdeen,
Scotland. They had just learnt it from a workshop, but I don't remember who taught it. It
was used successfully by Buchan Morris, and later by Clerical Error in the early 1990's,
to dance on.
Click
on this to see an aquatic version by Clerical Error (6.7MBytes), or right-click and "Save Target As" to save it to your
machine
Set : Bouncy Single stepping, knees high. Leg not
thrown forwards. Right foot start. Most of dance is done in a single long line. One long
stick. (Note : Music in Bacon appears incomplete)
Music : Not for Joe - (A) AB AB
Calls
- PROCESS ON
- CHORUS
- SWING
- CHORUS
- LEFT-HAND STAR
- CHORUS
- DIAGONALS
- CHORUS
- HEY
- Process On
- Sticks over right shoulder. Curl in from crowd in single file, with Squire at front.
When squire shouts TURN, every odd dancer turns and faces their partner.
-
- Chorus
- Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
-
- Swing
- Right arm around partners waist. Four times round using sixteen single steps.
-
- Chorus
- Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
-
- Left-Hand Star
- All dancers in sets of three, counted from Squire's end, joins hands and dance
twice-round anti-clockwise.
-
- Chorus
- Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
-
- Diagonals
- Clash. Four single steps diagonally to your forwardright. Turn quickly on the fourth.
Four single steps back to position. Clash, but don't stop. REPEAT to diagonal rear left.
-
- Chorus
- Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
-
- Hey
- All pass alternate shoulders, starting with right shoulders. When dancers reach the end,
they turn and repeat in the opposite direction.
- The hey gradually unwinds and the line of dancers eventually heads towards the
musicians, 2, 4, 6 or 8 abreast, with a shout of "All Up" to finish.
|