Not for Joe
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Not for Joe, is a simple Much Wenlock dance that is easy for both dancers and musicians to learn. It can be a good dance to come on and stay on with. I learnt it from Janice and Tony Jones in 1985, when we had just started the team Buchan Morris, north of Aberdeen, Scotland. They had just learnt it from a workshop, but I don't remember who taught it. It was used successfully by Buchan Morris, and later by Clerical Error in the early 1990's, to dance on.

 

Click on this to see an aquatic version by Clerical Error (6.7MBytes), or right-click and "Save Target As" to save it to your machine


Set : Bouncy Single stepping, knees high. Leg not thrown forwards. Right foot start. Most of dance is done in a single long line. One long stick. (Note : Music in Bacon appears incomplete)

Music : Not for Joe - (A) AB AB

Calls 

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      • PROCESS ON
      • CHORUS
      • SWING
      • CHORUS
      • LEFT-HAND STAR
      • CHORUS
      • DIAGONALS
      • CHORUS
      • HEY

Process On
Sticks over right shoulder. Curl in from crowd in single file, with Squire at front. When squire shouts TURN, every odd dancer turns and faces their partner.
 
Chorus
Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
 
Swing
Right arm around partners waist. Four times round using sixteen single steps.
 
Chorus
Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
 
Left-Hand Star
All dancers in sets of three, counted from Squire's end, joins hands and dance twice-round anti-clockwise.
 
Chorus
Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
 
Diagonals
Clash. Four single steps diagonally to your forwardright. Turn quickly on the fourth. Four single steps back to position. Clash, but don't stop. REPEAT to diagonal rear left.
 
Chorus
Sixteen Single steps and alternate right-to-left and left-to-right tip clashes.
 
Hey
All pass alternate shoulders, starting with right shoulders. When dancers reach the end, they turn and repeat in the opposite direction.
The hey gradually unwinds and the line of dancers eventually heads towards the musicians, 2, 4, 6 or 8 abreast, with a shout of "All Up" to finish.

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